STUDIO INFERNO

Kap Bambino New album ” Devotion ” released in March 2012

Live Tonight in Amsterdam, at the Bitterzoet. GrgRrrr

RB Entrevista on Nomad-Citizen. 
“An afternoon with Royale Belleville”

RB Entrevista on Nomad-Citizen

“An afternoon with Royale Belleville”

8 SKLL - Speziale Tattoo designed pour mon pote Raul. 
8 stands for ” L’ Immacolata ” ( The Immaculate  )

8 SKLL - Speziale Tattoo designed pour mon pote Raul. 

8 stands for ” L’ Immacolata ” ( The Immaculate  )

ROMA 2012

ROMA 2012

88.3 - Mixed Media on Wood Panel - 80x 100 cm

88.3 - Mixed Media on Wood Panel - 80x 100 cm

ANTE INFERNO - Mixed Media on Canvas - 60 x 68 cm

ANTE INFERNO - Mixed Media on Canvas - 60 x 68 cm

Artwork Details

Artwork Details

SECTA LOGICA per capita - Part II
Mixed media on wood panel 90 x 50 cm
” The sect Logic - per capita “ 
471 is related to the Napolitan Smorfia ( Book of Dreams ) 
47: The Dead Man
71: The Man of Shit
will add useful links later on…rock on !

SECTA LOGICA per capita - Part II

Mixed media on wood panel 90 x 50 cm

” The sect Logic - per capita “ 

471 is related to the Napolitan Smorfia ( Book of Dreams ) 

47: The Dead Man

71: The Man of Shit

will add useful links later on…rock on !

BLCK SKLL for Life.

BLCK SKLL for Life.

“JAR OF LIES” part II, Mixed Media on Canvas, 245x100 cm

“JAR OF LIES” part II, Mixed Media on Canvas, 245x100 cm

MEDUSA III, Mixed Media on canvas, 70 x 90 cm
“Lust at 1st Sight”

MEDUSA III, Mixed Media on canvas, 70 x 90 cm

“Lust at 1st Sight”

To The Medusa of Leonardo Da Vinci, The Florentine Gallery, Florence IT

1.It lieth, gazing on the midnight sky,Upon the cloudy mountain-peak supine;Below, far lands are seen tremblingly;Its horror and its beauty are divine.Upon its lips and eyelids seems to lie Loveliness like a shadow, from which shine,Fiery and lurid, struggling underneath,The agonies of anguish and of death.2.Yet it is less the horror than the graceWhich turns the gazer’s spirit into stone, Whereon the lineaments of that dead faceAre graven, till the characters be grownInto itself, and thought no more can trace;‘Tis the melodious hue of beauty thrownAthwart the darkness and the glare of pain,Which humanize and harmonize the strain. 3.And from its head as from one body grow,As … grass out of a watery rock,Hairs which are vipers, and they curl and flowAnd their long tangles in each other lock, And with unending involutions showTheir mailed radiance, as it were to mockThe torture and the death within, and sawThe solid air with many a ragged jaw.4.And, from a stone beside, a poisonous eft Peeps idly into those Gorgonian eyes;Whilst in the air a ghastly bat, bereftOf sense, has flitted with a mad surpriseOut of the cave this hideous light had cleft,And he comes hastening like a moth that hies After a taper; and the midnight skyFlares, a light more dread than obscurity.5.‘Tis the tempestuous loveliness of terror;For from the serpents gleams a brazen glareKindled by that inextricable error, Which makes a thrilling vapour of the airBecome a … and ever-shifting mirrorOf all the beauty and the terror there—A woman’s countenance, with serpent-locks,Gazing in death on Heaven from those wet rocks. NOTES:_5 seems 1839; seem 1824._6 shine]shrine 1824, 1839._26 those 1824; these 1839Published by Mrs. Shelley, “Posthumous Poems”, 1824.
To The Medusa of Leonardo Da Vinci, The Florentine Gallery, Florence IT

1.
It lieth, gazing on the midnight sky,
Upon the cloudy mountain-peak supine;
Below, far lands are seen tremblingly;
Its horror and its beauty are divine.
Upon its lips and eyelids seems to lie
Loveliness like a shadow, from which shine,
Fiery and lurid, struggling underneath,
The agonies of anguish and of death.

2.
Yet it is less the horror than the grace
Which turns the gazer’s spirit into stone,
Whereon the lineaments of that dead face
Are graven, till the characters be grown
Into itself, and thought no more can trace;
‘Tis the melodious hue of beauty thrown
Athwart the darkness and the glare of pain,
Which humanize and harmonize the strain.

3.
And from its head as from one body grow,
As … grass out of a watery rock,
Hairs which are vipers, and they curl and flow
And their long tangles in each other lock,
And with unending involutions show
Their mailed radiance, as it were to mock
The torture and the death within, and saw
The solid air with many a ragged jaw.

4.
And, from a stone beside, a poisonous eft
Peeps idly into those Gorgonian eyes;
Whilst in the air a ghastly bat, bereft
Of sense, has flitted with a mad surprise
Out of the cave this hideous light had cleft,
And he comes hastening like a moth that hies
After a taper; and the midnight sky
Flares, a light more dread than obscurity.

5.
‘Tis the tempestuous loveliness of terror;
For from the serpents gleams a brazen glare
Kindled by that inextricable error,
Which makes a thrilling vapour of the air
Become a … and ever-shifting mirror
Of all the beauty and the terror there—
A woman’s countenance, with serpent-locks,
Gazing in death on Heaven from those wet rocks.

NOTES:
_5 seems 1839; seem 1824.
_6 shine]shrine 1824, 1839.
_26 those 1824; these 1839

Published by Mrs. Shelley, “Posthumous Poems”, 1824.

                             BARCELONA - SITGES - BARCELONA

                             BARCELONA - SITGES - BARCELONA

ANTE INFERNO - Mixed Media on Canvas - 68 x 60 cm
Map of Hell dedicated to DANTE, “la Divina Commedia”.
It represents the NINE Circles of Hell and the last river ” LETHE “ that might bring you back to the Earth surface.

ANTE INFERNO - Mixed Media on Canvas - 68 x 60 cm

Map of Hell dedicated to DANTE, “la Divina Commedia”.

It represents the NINE Circles of Hell and the last river ” LETHE “ that might bring you back to the Earth surface.

TransVormers in Amsterdam June 3rd - Finished the MEDUSA III for the Show.
” Lust at 1st Sight “  ….more to come.

TransVormers in Amsterdam June 3rd - Finished the MEDUSA III for the Show.

” Lust at 1st Sight “  ….more to come.